Clouds

 

Nuages Clouds

pinhole photos, variable dimensions, max 12 x 10 cm, 2017

 

Series realised during the art residency at the Camargo Foundation, Cassis, 2017 

Series realised during the art residency at the Camargo Foundation, Cassis, 2017. I tried to capture a fugace phenomenon of clouds appearing in the sky with the technique  of the pinhole camera which exploits the principle of light and its property of reproducing images in a dark room. A simple cardboard box with a hole through which a strip of light can pass and some photosensitive paper inside it becomes the rudimentary means – an artisanal camera obscura – with which to photograph the phenomenon cloud. The process is purely mechanical and its results empirical: the final image depends on many variables which are impossible to control. It is the sum of everything that has happened during the lengthy exposure time: the angle of the sun changes, a cloud goes by, the intensity of the light abates, the wind move the clouds. It is about imprints in the true sense of the word, which bear witness to the existence of things which leave, proof of what has been, mechanically faithful albeit opaque witnesses of reality.

 

 

Clouds2019-10-13T14:36:36+00:00

Plants

Plants

pinhole photos, monotypes, variable dimensions, 2016

This is my first work using the pinhole photography technique which exploits the principle of light and its property of reproducing images in a dark room. A simple cardboard box with a hole through which a strip of light can pass and some photosensitive paper inside it becomes the rudimentary means – an artisanal camera obscura – with which to pho- tograph the plants collected en plain air during my residency at the Camargo Fondation in 2016.
The process is purely mechanical and its results empirical: the final image depends on many variables which are impossible to control. It is the sum of everything that has happened during the lengthy exposure time: the angle of the sun changes, a cloud goes by, the intensity of the light abates, the wind moves the leaves. It is about imprints in the true sense of the word, which bear witness to the existence of things which leave, proof of what has been, mechanically faithful albeit opaque witnesses of reality.

Museo di Palazzo Poggi, Bologna,  2017                                           CAIRN, Centre d’art, Digne-les-Bains, 2018

 

Plants2019-10-13T14:34:28+00:00

Feuilles

Feuilles

pinhole photos, monotypes, 2019 Fondazione Querini Stampalia, Venezia

Dire il tempo Roman Opalka Mariateresa Sartori, curator Chiara Bertola

photo Michele Alberto Sereni

Feuilles

exhibition view Monde dis-moi tout,  Cairn Centre d’art, Digne-les-Bains, 2019

photo François-Xavier Emery

The Feuilles cycle: pinhole photos taken during the artist’s residency at the Cairn centre d’art, Digne-les-Bains in France in 2018. Mariateresa Sartori started with a wide selection of leaves which she collected and photographed using the pinhole photography technique which exploits the principle of light and its property of reproducing images in a dark room. A simple cardboard box with a hole through which a strip of light can pass and some photosensitive paper inside it becomes the rudimentary means – an artisanal camera obscura – with which to photograph the leaves collected en plain air.

The process is purely mechanical and its results empirical: the final image depends on many variables which are impossible to control. It is the sum of everything that has happened during the lengthy exposure time: the angle of the sun changes, a cloud goes by, the intensity of the light abates, the wind moves the leaves. It is about imprints in the true sense of the word, which bear witness to the existence of things which leave, proof of what has been, mechanically faithful albeit opaque witnesses of reality.

by Chiara Bertola and Sergio Risaliti, In Italian/English version: Dire il tempo Mariateresa Sartori, Ed. Gli Ori, 2019

Dire il tempo. Mariateresa Sartori

Feuilles2019-10-13T14:25:07+00:00